LA PEUR DOIT CHANGER DE CAMP von suite 42 (Berlin) und Omar Fetmouche (Théatre Bejaia) Continue reading
DAS KIND UND DER KRIEG von Svetlana Fourer (Köln), Andrij May (Kiew) und teatr.doc (Moskau), Foto: Anastasia Mantach Continue reading
DAS KIND UND DER KRIEG von Svetlana Fourer (Köln), Andrij May (Kiew), teatr.doc (Moskau), Foto: Anastasia Mantach Continue reading
TROLLHAUS: Tim Zulauf/KMUProduktionen und Dream City – biennale d’art contemporain en espace public, Tunis (Foto: Nik Spoerri) Continue reading
BIOTOPIA / Westflügel Leipzig und Solniki 44 (Foto: Przemek Sejwa) Continue reading
ESCAPE ROOM EUROPE / hannsjana und STEREO Akt (Foto: Marie Weich) Continue reading
EQUINOX / Grotest Maru und I-act + The Alternative Theatre Group Continue reading
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Call for papers ‘Mobility of aesthetics’

The Zbigniew Raszewski Theatre Institute Poland and the German Centre of the International Theatre Institute organize a conference on the ‘Mobility of aestehtics’ in Warsaw from Oct. 12th  to 13th 2018. Together with ENICPA and On-the-move they invite artists, artistic directors of theaters and festivals as well as theatre scientists, journalists and students to discuss aspects of mobility. Those of you who would like to participate please find the OPEN CALL here.

HAUPTSACHE SIE SCHIESSEN NICHT (As long as they don’t shoot)

It was supposed to be a hunt. That’s why one was on the lookout, met secretly with informants in dark corners or tried tocall Radovan Karadžić’s daughter in the Republika Srpska Parliament. That was the plan. At the end of their trip through Bosnia, however, Vernesa Berbo, Moritz Sauer and Stephanie Zurstegge had not spoken to the children of the war criminals of the Bosnian war from 1992 to 1995.


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WEM GEHÖRT DIE AVANTGARDE?

ansicht_6868After ‘work-in-progress’-showings of the “Wem gehört die Avantgarde? Malevich-Projekt.” in February, the group will be back on 11/12 May 2018 as part of the festival KRASS: The Krasnaya Shpana Cooperative for Artistic Research will both give a lecture and present the performative installation “An Airport named Malevich” at the Kampnagel-Garten.

 

urban laboratory IDEAL PARADISE ukraine: following the trace

Foto: Claudia Bosse

The installation “Following the trace” consists of three multi media works dealing with the body as medium for mappings and performative interventions: the video installation “following the trace of water”, the audio installation “when you stand still it is the best position in the city” and audios and videos on a series of choreoraphic interventions “applied poetics in urban space”, developed in in Charkiv und Kiev in 2017 as part of a longer reserach of theatercombinat, in collaboration with urban curators.
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Reportage über DAS KIND UND DER KRIEG

Ausgehend vom dreiteiligen Theaterprojekt DAS KIND UND DER KRIEG schreibt Anja Quickert in ihrer Reportage über alte und neue Kriegserfahrungen in Kiew und Moskau. Erstabdruck in Theater heute 3/2018.

Die Wahrheit der Zeitzeugen
Was hat der Krieg in der Ukraine mit Deutschland zu tun?


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CALL FOR APPLICATIONS CLOSED

161014 Szenenwechsel-21Thank you for the submitted applications!

Any applications for the programme ‘Change of Scene’ arriving later than 15 February 2018 can not be considered.
The list of supported projects will be published end of May/ beginning of June 2018.

FOLD YOUR WORLD

Faltet_Eure_Welt_Insz_FotoOrigami artist Ossama Helmy and theater director Lydia Ziemke developed together with young people from Egypt and Germany stories about freedom and responsibility which were adapted for the stage with Grips ensemble actors.
Premiere 23.11.2017 at Grips Theater
further shows 24., 25. + 27.11.2017, 11. – 13.01.2018 and 22.- 25.05.2018
coproduction: suite42 (Berlin) und Arab Origami Center (Egypt)
photo:
Jens Mondalski, Esther Agricola, Ossama Helmy
© Jörg Metzner

 

 

God’s Entertainment: CONVAKATARY KONAK

gods_entertainmentAs part of season opening at kampnagel 12.-10.10.2017:
GOD’S ENTERTAINMENT will turn the theater space into a KONAK (Turkish: residence) of numerous peoples and confessions: a bubbling meeting space where not just the paths but also the swords of the Occident and Orient cross.